With the year coming to a close The Bigger Boat Reviews are looking
back at the 10 best films of 2014. However, obviously there were a few films
that, due to varying reasons, we were unable to review which had the potential
to break into the top 10, so honourable mentions go to the likes of Nightcrawler,
Boyhood, Under the Skin and Locke.
The best way to follow a ludicrously over
the top action comedy film is to be even more ludicrously over the top, and
acknowledge it. Channing Tatum continues to flex his comedy vocals to great
effect and his chemistry with Jonah Hill is there for all to see, but it’s in
the end credits which will leave you in stitches, which sounds like a discredit
to the film, but rest assure, the previous 120 minutes are equally as funny.
Anybody who is having any wedding jitters might want to stay
away from Gone Girl. It’s difficult to describe the film without giving away
any important narrative details so we’ll keep it simple. Chilling and tense,
Gone Girl will have you shouting at the screen with Rosamund Pike on excellent
form. Not Fincher’s best (though this is hardly a criticism) but its stylish,
edgy and will keep you guessing right up until the end.
Yes it wasn’t Nolan’s best film in comparison with The Dark
Knight trilogy and Inception, yes the narrative could do with a running
footnotes from Brian Cox and yes the ending is a little on the mawkish side,
but there’s no denying the spectacle that is Interstellar. The IMAX film of the
year brought about a 2001-like edge to the idea of space expedition and
exploration with ground breaking visuals. The film also packs an emotional
punch with the opening (space-less) 45 minutes featuring one of the most heart-wrenching
scenes of the year.
The part patriotic, park heart-breaking story of Alan Turing,
who seemingly invented the computer, cracked the German enigma code and
arguably single-handedly winning the war. Benedict Cumberbatch is superb as the
tortured genius Turing who struggles to balance his commitment to the war cause
and hiding his sexuality. It’s a sensational war-time thriller owing a great
deal to the likes of Tinker, Tailor,
Soldier, Spy (coincidentally also directed by a Scandinavian filmmaker)
about a worthy and previously untold part of our history.
It’s understandable why this film, based on a true story
about debauchery, excessiveness and greed (or orgies, drugs and money if you
prefer) failed to win any of the 5 awards it was nominated for at the Oscars,
which is a shame as it was our favourite during the run up to the awards
season. The Wolf of Wall Street tells the story of Jordan Belfort, a stock
broker who delves into tax fraud and money laundering leading to excessive
riches. About as ‘un-Scorecese’ as Scorcese’s last outing, Hugo, yet the film
is darkly hilarious with an excellent leading performance from Leonardo
DiCaprio, and the seemingly excessive 3 hour running time will fly by.
The first huge surprise of the year. On paper you can
understand why, and you’d be forgiven for thinking this is a blatant cash cow, more
interested in how much profit they can turn without worrying about the end product.
How wrong we all were. The film was hyperactive and hilarious featuring
glorious animation and even the sniffiest critics gave up resisting after 10
minutes. The voice acting (led by Chris Pratt along with Well Ferrell and
Morgan Freeman to name a few), is superb and has terrific repetition of ‘SPACESHIP!’
The best aspect(or worst, depending on your outlook) is the fact that even by just reading the
words ‘Everything is awesome’ will ensure that the song is stuck in your head for
hours to come.
If it's in a word or it's in a look, you can’t get rid of the Babadook…A uniquely refreshing
Aussie horror film telling the story of the struggles between a widow and her
young son. It is a rare treat for a horror film that manages to not only have
you feel for its central characters but simultaneously scare the living
daylights out of you and The Babadook manages this perfectly!
The feel good film of the year bar none. Owing a great deal
to Billy Elliot and Brassed off, Pride tells the story of the unlikely friendship
between gay activists and Welsh miners. Pride manages to expertly balance the
right amount of truth, comedy, and drama without stumbling into sentimentality.
A tip of the cap must also go to the sensational Imelda Staunton and an outstanding
supporting cast. Dominic West dancing to Shame Shame Shame will forever stick
in our minds.
Nobody, I repeat, nobody expected anything from Guardians of
the Galaxy. Somehow people weren’t too keen on the idea of a Star Wars-esque
space opera following a disband of humans, aliens, racoons and a 9ft talking
tree on their adventures, directed by James Gunn, a generally inexperienced
big-budget director (his last film Super
cost just $2.5 million). Then the trailer was released, and people were even
more convinced of a spectacular crash and burn for the latest Marvel flick. Then
the film was released, and how wrong the naysayers were! Guardians is one of
the biggest surprises of the year, blasting its way into cinemas becoming the
second most successful film of the year so far. Audiences took to Guardians in
their drones with its spectacular action and razor sharp script all combined
with an absolutely killer soundtrack creating an entirely new franchise for the
cinema giants. Never have 3 words brought watery eyes to so many people. Also,
that end scene!
Is this the most mainstream Wes Anderson film yet? Certainly
the box office speaks for itself but this does not give enough credit to The
Bigger Boat Reviews film of 2014. Set in the fictional Zubrowka, TGBH tells the
story of Zero telling the story of his acquisition of the hotel from the enigmatic
Gustave. The film features an all-star cast with a healthy mix of Anderson
regulars (Wilson, Murray, Brody and Schwartzman all appear) along with some
newcomers (Jude Law and F. Murray Abraham), however its Ralph Fiennes who
steals the show. In the best performance of the year, Clouseau-esque Fiennes
provides both the films comic side and heart which must surely have him heavily
touted come awards season (he has already been nominated for a Golden Globe).
There were of course the usual Anderson naysayers (there always will be), but the
film contains all the charm and just enough whimsy which makes it without a
doubt the best film of the year and one of Anderson’s best for many years, also
showing a side of Ralph Fiennes we have rarely seen and one we’re welcome to
see again.
And the worst…
Transformers: Age of
Extinction.
Because of ‘transformium’, that’s why.